Captive Man – Adam – Elm 1989
It is a figure bound by the constraints of natural form whether in the literary sense or the physical sense of a specific slice of unpolished, naturally preserved elm. Adam, the generic male, is shown feeling the weight of responsibilities with which society shackles him. Despite modern attempts to even the balance between the sexes, a man is still expected to be in full control of his emotions and, especially, mask any pain he feels.
Paternity
Sycamore 1994. Private collection
Head of an Angel
Cocobolo wood 1996. Commission
My Face in Thine Eye
mild steel / Elm Burr 1997. Approximately 85 x 105 x 85cm. Private Collection
Trio
Burr 1995. 58 x 90 x 47cm. Private Collection
Pelican in Her Piety
African mahogany 1990. 69 x 29 x 22cm. Available
Heron Totem
Beech 1994. Commission – Henshaws College, Harrogate
Figure in Relief – Eve
Elm 1998. Private collection
Snake Double Kissing Seat
Elm 1994. Commission – Henshaws College, Harrogate
Crocodile Seat
Sycamore 1994. Commission – Henshaws College, Harrogate
Beethoven
Elm burr 1997. Commission
Pelican in Her Piety
Polished elm 1991. 88 x 78 x 8cm – Private Collection
Paternity II
Sycamore 1994. 79 x 51 x 51cm – Available
Mother and Children
Fallen beech 1998. 154 x 31 x 30cm – Private Collection
Green Man
Elm burr 1998. Private collection
Ecce Homo II
Mild steel/ sycamore 1995. 63 x 40 x 30cm – Private Collection
Caryatid Emerging
Cedar 1996. 75 x 25 x 20cm. Private Collection
Ecce Homo
Sycamore/mild steel 1966. Destroyed
The Last Supper
Iroko 1959. Collection – The Church of the Ascension, Brookfield, Preston, Lancashire
Detail – The Last Supper
Iroko 1959. Collection – The Church of the Ascension, Brookfield, Preston, Lancashire
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Ian Thompson 